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 Aaa NaluguruTelugu
Aa Naluguru
*ing Rajendra Prasad, Aamani, Raja, Pingpong, Subhalekha Sudhakar, Kota Srinivasa Rao, Premkumar, Revathy, Bhagavan....

'Aa Naluguru' Picture Gallery
Listen to 'Aaa Naluguru' songs
 
 
Director:Chandra Siddartha
Producer: Saritha Patra
Music: R P Patnaik
Year: Dec 2004
 

Aa Naluguru' is more of an art movie rather than a comercial film. It is an offbeat movie with overdose of sentiment. Though the filmmakers’ intention is good, But Chandra Siddhartha’s flat narration leaves us no option but to sulk. Though the storyline is okay, its presentation is dull and predictable. The only saving grace is Rajendra Prasad’s stunning performance as an idealistic editor.

Aa Naluguru Story:
The film opens up with yamabhatulu taking away Rajendra Prasad’s life. He narrates his life to these yamabhatulu. Raghuram (Rajendra Prasad) works as editor for Praja Vedika. He is idealistic and believes in social service. Half of his income goes to his charity work. His three children (Raja, Pingpong and Revathy) put him in conflict position. His younger son (Bablu) needs money for donation fee for engineering seat, his married daughter seeks money to go to US along with hubby, his elder son (Raja) pressurizes him money for his job. Even when his wife (Aamani) supports their children on the issue, he has no options but to say good-bye to morals and bring money from others. On the same night, he commits suicide after giving money that he’s brought to his children. The rest of the film is how their children come to know his ‘greatness’ after his death.


Music:Of all the songs, title song is good. R P Patnaik has shown his talent in re-recording
Performance:
Rajendra Prasad’s performance is outstanding. His makeup style and his body language..all are suited to the T. as an idealistic editor is biggest asset to this film. As a man who caught between morals and unmerciful children, he has come up with restraint and commendable performance.
Verdict
'Aa Naluguru' might appeal to the discerning viewer who prefers realistic/sensitive films over hardcore commercial cinema.

 
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